Urban Sociology The South End Neighborhood.(Villa Victoria) South End Massachusetts

I have attached some files relevant to the project. I have choose to write about the South End, In Boston MA. The South End is a culturally rich neighborhood with restored Victorian row houses surrounding charming English-style squares. Its popular dining and drinking scene spans family-friendly bistros, trendy eateries, gay bars and low-key pubs. The old warehouses of the SoWa Art & Design District house galleries, studios and home-decor shops. Artisans, farmers and food trucks gather at Sunday markets May through October.

About the Villa Victoria……

The windows and small yards of the townhouses sparkled with lights, creating a whimsical winter wonderland. Images of Puerto Rican culture alongside tasteful Martha Stewart-like decorations and an occasional blow-up snowman reflect the residents’ pride in their homes and neighborhood. In fact, a pedestrian coming upon the Villa Victoria from the posh, brownstone-lined streets of the South End would probably not realize that she had entered a housing development. The brick townhouses painted in soft yellows, peaches, greens, and browns, and highlighted by Spanish ironwork, do not fit a stereotypical picture of the “projects.”

The story of the Villa I share is one that I first learned working there on social justice issues for more than 12 years. It is an oral history that I have since heard repeated many times by my friends and now relatives, as my husband’s family was one of the first to move into the Villa.

In the early 20th century, abandoned by Boston’s elite, the South End became an affordable neighborhood for immigrant and poor communities, among them Syrians, Greeks, African Americans, Chinese and Puerto Ricans (Mario Luis Small,Villa Victoria: The Transformation of Social Capital in a Boston Barrio, 2004). The Puerto Ricans settled primarily in the area between Tremont and Washington Streets known as Parcel 19. While apartments were affordable, the condition of the housing was deplorable and the neighborhood soon became targeted in the 1950s as part of Boston’s urban renewal project.

The urban renewal project started in the West End, which was “renewed” by being demolished. The West End redevelopment controversy and the displacement of its families reverberated throughout Boston but most especially in a South End fearful of sharing the West End’s fate.

As the city’s focus turned to the South End’s Boricua (“Boricua” is another word for Puerto Rican) enclave for renewal, a group of mostly Puerto Rican residents met in the basement of St. Stephen’s Church in the late 1960’s to fight for their community. The group which incorporated as the Emergency Tenants’ Council (ETC) and later formed the sister social service organization, Inquilinos Boricuas en Acción (IBA), rallied the neighborhood with the motto “no nos mudaremos de la parcela 19″—“We’re not going to move from Parcel 19.”

Residents admitted that living conditions needed to be improved. However, they did not want the community to be displaced, and they wanted their voices clearly heard in any renewal plan. Through a widespread and active organizing campaign strengthened by allies—priests and nuns, neighbors outside the parcel, redevelopment professionals, and college volunteers—ETC won the unprecedented right from the city in 1969 to serve as the developer for Parcel 19. ETC flew one of its allies, an architect named John Sharratt, to Puerto Rico to study the architecture that would feel most like a community to them. The architecture of the resulting Villa Victoria achieved that goal, with its plaza and parks and casitas facing one another. The development also provided a facility for the elderly to keep aging relatives close. Several indoor community spaces included a youth and arts center, a community credit union, and the home of one of the first bilingual preschools in the country.

When the Villa was completed in 1976, residents, fueled by the pride that came from preserving their neighborhood, turned to strengthening human service programming. In the early 80s, a partnership between an active parent in the neighborhood, Ada Palmarin, and a Harvard student, Remy Cruz, led to the formation of the Keylatch Program of the Phillips Brooks House Association, offering free tutoring, big brother/ big sister and summer programs for neighborhood children. Jorge Palmarin, Ada’s son and an original participant in the program reflects, “Not only did Keylatch give us a place to go and be safe, but it also gave us a learning structure and a way to build friendships across the neighborhood.” I have been fortunate to inherit the trusteeship of this program and observe 10 years of students who in serving others and continuing that community-building tradition have become deeply moved by the story and legacy of the Villa.

It is through Keylatch and personal relationships that I have also seen this legacy fading and known the very real obstacles many of the children and grandchildren of those first residents face. While the original residents fought for and won the Villa, its walls could not keep out the challenges afflicting our poor communities, from insufficient educational opportunties to addiction to violence. The original story has at times been overshadowed by heart-breaking stories of loss community members have experienced. And as new residents move in and children move away, fewer current residents know the story of the Villa’s beginnings first-hand if at all.

I know this may be alot, but i will TIP. If you have any questions please feel free to let me know.

thanks,